Samuel Johnson on the attributes of good, original writing?

Your manuscript is both good and original. But the part that is good is not original, and the part that is original is not good.

attributed to Samuel Johnson (1709-1784)

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Samuel Johnson on the attributes of good, original writing?

Your manuscript is both good and original. But the part that is good is not original, and the part that is original is not good.

attributed to Samuel Johnson (1709-1784)

Three Books Every Writer and Aspiring Author Should Have in Their Libraries

If you’ve attended one of my seminars on publishing, then you’ve undoubtedly heard me yap about the three essential books every writer and aspiring author should have in their libraries.

If you haven’t attended one of my seminars (which is highly likely as I only average perhaps one or at most two per year), then let me bend your ear now and yap about the three essential books.

Essential Book No. 1 – A Good Dictionary

The foundation of any writer’s library has to be a good dictionary. My recommendation is to acquire one of the foundational dictionaries published by Oxford University Press.  Follow that up with any specialized dictionaries you might need, but remember to make liberal use of the unabridged Oxford English Dictionary (20 volumes, 21,728 pages, not counting supplement updates) that is available at the nearest library.

My dictionary of choice is the Concise Oxford English Dictionary edited by Catherine Soanes and Angus Stevenson, and it is never far from my elbow.

Essential Book No. 2 – A Guide to Typography and Book Composition

Originally published as Hart’s Rules for Compositors and Readers at the University Press, Oxford, the book originated as a compilation of rules and standards for composition and typesetting for internal use at Oxford University Press by Horace Hart, Controller of the Press.

First printed as a single broadsheet page in 1893, the rules were developed continuously until they were first published in book form in 1904. Revised volumes appeared periodically as the work gained wider use culminating in the 39th Edition published in 1983. The 39th Edition was reprinted with corrections four times with the final corrected version printed in 1989.

Two other successor volumes since 1989 have been published which purport to build on the legacy of Hart’s Rules, but my advice is to locate a used copy of the 39th Edition, 4th printing of 1989 and study it carefully, supplementing it with the other volumes published by OUP.

In an age in which every Tom, Dick and Harriet are writing and publishing their own books, the quality of typesetting and of layout and design has understandably nose-dived, principally because writers have not been sufficiently schooled or trained in what constitutes acceptable standards much less good quality. It doesn’t matter if the aim is a printed book, an eBook or both, the principles of great layout and design and of what constitutes excellence in typography remain the same. Writers today are attempting to learn – at the warp speed of the Internet – skill sets that have taken professional designers and typographers years of study and on-the-job training to master. So, if you are going to attempt to typeset your own book, you could do worse than to consult frequently with Hart’s Rules. Even if you aren’t aiming to design and typeset your own book, this volume will make for more fruitful interaction and conversations with professional designers, compositors and typographers.

Essential Book No. 3 – A Book on Style

As the title suggests, this concise volume is focused on presenting the essential elements and principles of what constitutes good writing style in English. From its humble beginning as a handout to freshman English classes at Princeton University, the successive editions of this book has achieved a reputation – and deservedly so – for distilling the very essence of the principles of good writing style and presenting them in an accessible and entertaining form. This book is not so much meant to be read as absorbed. Regardless of how one characterizes one’s own writing style and honestly believes it to be, there is much to be gained from ingraining the lessons of this entertaining book into one’s consciousness. The book provides a sound logical structure upon which to refine and develop one’s own writing style. In short, this is a wonderfully indispensable book.

So, there you have it, my recommendations for three essential books that every writer and aspiring author should have in his or her personal library. No doubt, there are many other books that others would suggest are just as essential, but if you begin with just these three books and end up not adding a single additional book to your library of writing resources, you would still have the core of the knowledge you need to become a successful writer and published author.

All best,

Three Books Every Writer and Aspiring Author Should Have in Their Libraries

If you’ve attended one of my seminars on publishing, then you’ve undoubtedly heard me yap about the three essential books every writer and aspiring author should have in their libraries.

If you haven’t attended one of my seminars (which is highly likely as I only average perhaps one or at most two per year), then let me bend your ear now and yap about the three essential books.

Essential Book No. 1 – A Good Dictionary

The foundation of any writer’s library has to be a good dictionary. My recommendation is to acquire one of the foundational dictionaries published by Oxford University Press.  Follow that up with any specialized dictionaries you might need, but remember to make liberal use of the unabridged Oxford English Dictionary (20 volumes, 21,728 pages, not counting supplement updates) that is available at the nearest library.

My dictionary of choice is the Concise Oxford English Dictionary edited by Catherine Soanes and Angus Stevenson, and it is never far from my elbow.

Essential Book No. 2 – A Guide to Typography and Book Composition

Originally published as Hart’s Rules for Compositors and Readers at the University Press, Oxford, the book originated as a compilation of rules and standards for composition and typesetting for internal use at Oxford University Press by Horace Hart, Controller of the Press.

First printed as a single broadsheet page in 1893, the rules were developed continuously until they were first published in book form in 1904. Revised volumes appeared periodically as the work gained wider use culminating in the 39th Edition published in 1983. The 39th Edition was reprinted with corrections four times with the final corrected version printed in 1989.

Two other successor volumes since 1989 have been published which purport to build on the legacy of Hart’s Rules, but my advice is to locate a used copy of the 39th Edition, 4th printing of 1989 and study it carefully, supplementing it with the other volumes published by OUP.

In an age in which every Tom, Dick and Harriet are writing and publishing their own books, the quality of typesetting and of layout and design has understandably nose-dived, principally because writers have not been sufficiently schooled or trained in what constitutes acceptable standards much less good quality. It doesn’t matter if the aim is a printed book, an eBook or both, the principles of great layout and design and of what constitutes excellence in typography remain the same. Writers today are attempting to learn – at the warp speed of the Internet – skill sets that have taken professional designers and typographers years of study and on-the-job training to master. So, if you are going to attempt to typeset your own book, you could do worse than to consult frequently with Hart’s Rules. Even if you aren’t aiming to design and typeset your own book, this volume will make for more fruitful interaction and conversations with professional designers, compositors and typographers.

Essential Book No. 3 – A Book on Style

As the title suggests, this concise volume is focused on presenting the essential elements and principles of what constitutes good writing style in English. From its humble beginning as a handout to freshman English classes at Princeton University, the successive editions of this book has achieved a reputation – and deservedly so – for distilling the very essence of the principles of good writing style and presenting them in an accessible and entertaining form. This book is not so much meant to be read as absorbed. Regardless of how one characterizes one’s own writing style and honestly believes it to be, there is much to be gained from ingraining the lessons of this entertaining book into one’s consciousness. The book provides a sound logical structure upon which to refine and develop one’s own writing style. In short, this is a wonderfully indispensable book.

So, there you have it, my recommendations for three essential books that every writer and aspiring author should have in his or her personal library. No doubt, there are many other books that others would suggest are just as essential, but if you begin with just these three books and end up not adding a single additional book to your library of writing resources, you would still have the core of the knowledge you need to become a successful writer and published author.

All best,

HVWAG *February* 2012 Coffee Get-Together in Ballston Spa (near Saratoga Springs), NY – Note change in venue!

Join us in Ballston Spa (near Saratoga Springs), NY on Sunday, February 12, 2012


Note change in venue!

# # #

WHAT – HUDSON VALLEY WRITERS AND AUTHORS GROUP *February* 2012 Coffee Get-Together

WHEN – Sunday , February 12, 2012, 11:00 a.m. until 12:00 p.m.

WHEREThe Publik House Restaurant & Pub, 2727 U.S. 9, Ballston Spa (near Saratoga Springs), New York – For directions, click The Publik House Restaurant & Pub.

RSVP – Visit the HVWAG Event Listing on Facebook and register your attendance or you can visit the event page at the DYSTENIUM Online Community and register there. Your choice!

Join us for a lively discussion about books and book publishing, including eBooks. Hope to see you there!

All best,

Janet Marie Rogers Selected As Victoria, British Columbia’s Third Poet Laureate

Meet Victoria’s New Poet Laureate

Janet Marie Rogers was announced as Victoria’s new Poet Laureate at a Victoria City Council meeting on Thursday, January 19, 2012. Selected by nomination, the Poet Laureate serves as Victoria’s literary and cultural ambassador for a three-year term.

A Mohawk writer from the Six Nations band in southern Ontario, Janet Rogers was born in Vancouver, British Columbia and has resided in Victoria since 1994. A published and award-winning poet, she has worked and studied in the genres of poetry, short fiction, spoken word performance poetry, video poetry and recorded poems with music and scriptwriting.

Janet Rogers hosts Native Waves Radio on CFUV 101.9fm and Tribal Clefs every Tuesday on CBC Radio One. Her video poem What Did You Do Boy, created in support of a spoken word track from her CD Firewater, earned nominations at the Canadian Aboriginal Music Awards 2009 and the Native American Music Awards 2010. Rogers’ radio documentary Bring Your Drum (50 Years of Indigenous Protest Music), aired in July 2011 on CBC’s Inside the Music and won the Best Radio award at the imagineNATIVE Film and Media Festival 2011. Her newest poetry collection is titled Unearthed.

As Victoria’s third Poet Laureate, Janet Rogers looks forward to creating opportunities where the community can come together in celebration of our poetic voices on the traditional lands of the Coast Salish people. Her three-year term ends November 30, 2014.

Source: City of Victoria, British Columbia, Canada


Mohawk Poet
© Surazeus
2012 01 31

Today I hear a Mohawk woman poet
is appointed as Poet Laureate
in lush fertile land of Soih Temexw,
where Raven brings fire to wandering man.

Before paper and pen came, poets danced
in forests and on plains and beside lakes
across mountains from sea to shining sea,
chanting stories of their experience
exploring this sphere of water and soil,
and though their bodies are now silent dust,
their spirits are rays of light on tree leaves,
and their lost voices are whispers in wind.

Poem written by Surazeus Simon Seamount in honor of Janet Marie Rogers on the occasion of her selection as the Third Poet Laureate of Victoria, British Columbia, Canada.

REMINDER – HVWAG *February* 2012 Coffee Get-Together in Saratoga Springs, NY

Join us in Saratoga Springs, NY on Sunday, February 12, 2012


WHAT
– HUDSON VALLEY WRITERS AND AUTHORS GROUP *February* 2012 Coffee Get-Together

WHEN – Sunday , February 12, 2012, 11:00 a.m. until 12:00 p.m.

WHERE – Spa City Diner, 133 S Broadway, Saratoga Springs, NY – For directions, click Spa City Diner.

RSVP – Visit the HVWAG Event Listing on Facebook and register your attendance or you can visit the event page at the DYSTENIUM Online Community and register there. Your choice!

Join us for a lively discussion about books and book publishing, including eBooks. Hope to see you there!

All best,